The publication Against the Neutral Image (University of Rijeka) is not conceived as a conventional exhibition catalogue. Departing from the film works of Jelena Jureša, it opens up a space of encounter among artistic, curatorial, and theoretical practices, and develops questions about how violence is made visible or invisible, how it is framed, aestheticized, normalized, or suppressed. Through its texts, the book insists on the thesis that the neutrality of the image is never merely a style of representation, but is often a technique of power: an arrangement of distance, attention, and responsibility.