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DTSTART;VALUE=DATE:20251113
DTEND;VALUE=DATE:20260221
DTSTAMP:20260611T162044
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SUMMARY:Jelena Jureša: Choreographies of Violence
DESCRIPTION:The Museum of Modern and Contemporary Art presents Choreographies of Violence\, the first major solo exhibition by Jelena Jureša in Croatia\, bringing together an overview of her recent film\, video\, and video installation works. In her practice\, Jelena Jureša explores questions of identity\, the politics of memory and forgetting\, the relationship between observer and observed\, and the (im)possibilities of visual representation. By investigating the complex relations between collective memory and political responsibility\, Jureša’s artistic practice examines the ways in which history is reflected and reproduced within contemporary society. \nThe exhibition Choreographies of Violence brings together four works installed in the museum’s large central halls as immersive audiovisual installations that create poetics and politics of moving images between the documentary and the performative\, completely transforming the exhibition space. These include the new experimental film and video installation Don’t Take It Personally (2025)\, the experimental film Ubundu (2019)\, and the monumental and complex work Aphasia (2019) – a feature-length film essay structured in three chapters that also develops into a multi-channel installation documenting the eponymous multimedia performance (Aphasia\, Score for Monitors\, 2025). Most of the works are being shown in Croatia for the first time. \nJelena Jureša is a visual artist. She has exhibited in solo and group exhibitions in Belgium\, Austria\, Croatia\, Serbia\, Slovenia\, Greece\, Italy\, France\, and the United States. Recent international exhibitions include the Manifesta Biennale (Pristina\, Kosovo); Contour Biennale (Mechelen\, Belgium); and the Industrial Art Biennale (Labin\, Croatia). Solo exhibitions include Argos Centre for Audiovisual Arts\, Brussels; kunstencentrum nona\, Mechelen; Künstlerhaus Graz; and the Museum of Contemporary Art Belgrade. Her films have been screened at FIDMarseille\, DocLisboa\, Ji.hlava\, Maxim Gorki Theater Berlin\, Cinematek Brussels\, and the Artists’ Cinema at the Museum of Contemporary Art Zagreb. She has participated in artist residencies in Paris\, Hyde Park Art Center in Chicago\, MQ21 in Vienna\, and Kamov Residency in Rijeka. She holds a PhD from Ghent University and the KASK Conservatory\, where she teaches. Born in Novi Sad (SFRY)\, she lives and works in Ghent\, Belgium. \nThe exhibition is accompanied by a program of talks\, workshops\, and screenings\, as well as a forthcoming publication realized in collaboration with CAS – Center for Advanced Studies of Southeastern Europe\, University of Rijeka. \nEducation: Ivana Golob Mihić\, Ana ŽarkovićDesign: Maša Poljanec\, OazaCover photo: Jelena Jureša\, Aphasia\, 2019\, video still \nThe exhibition is supported by the City of Rijeka\, the Ministry of Culture and Media of the Republic of Croatia\, and Primorje-Gorski Kotar County.
URL:https://cas.uniri.hr/event/jelena-juresa-choreographies-of-violence/
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DTSTART;TZID=Europe/Zagreb:20260212T120000
DTEND;TZID=Europe/Zagreb:20260212T133000
DTSTAMP:20260611T162044
CREATED:20260209T033410Z
LAST-MODIFIED:20260209T033410Z
UID:25558-1770897600-1770903000@cas.uniri.hr
SUMMARY:CAS SEE Seminars with Guests: Sara Stevanović
DESCRIPTION:On Thursday\, February 12th\, 2025 at 12:00 PM (CET)\, we are hosting the CAS SEE Seminar with Sara Stevanović  on “Creative Ecologies and Sonic Futures: A Conversation with Composer Sara Stevanović“ in conversation with the RECAS Fellow Aleksandra Bajde. 
URL:https://cas.uniri.hr/event/cas-see-seminars-with-guests-sara-stevanovic/
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DTSTART;TZID=Europe/Zagreb:20260212T170000
DTEND;TZID=Europe/Zagreb:20260212T190000
DTSTAMP:20260611T162044
CREATED:20260130T134417Z
LAST-MODIFIED:20260203T071247Z
UID:25458-1770915600-1770922800@cas.uniri.hr
SUMMARY:Panel discussion: Is There Such a Thing as a Neutral Image?
DESCRIPTION:Panel discussion “Is There Such a Thing as a Neutral Image?”\, organized by the Museum of Modern and Contemporary Art and the Center for Advanced Studies of the University of Rijeka\, will take place on February 12\, 2026\, at the MMSU\, starting at 5:00 PM. Moderated by Ervin Pavleković\, the discussion brings together contributors to the edited volume Against the Neutral Image – Francesca Raimondi\, Maria Hlavajova\, Shahram Khosravi\, Branka Benčić (curator of the exhibition)\, and Sanja Bojanić – alongside artist Jelena Jureša and publication designer Ana Labudović\, opening a shared space for dialogue between artistic\, curatorial\, and theoretical perspectives. \nThe publication Against the Neutral Image (University of Rijeka) is not conceived as a conventional exhibition catalogue. Departing from the film works of Jelena Jureša\, it opens up a space of encounter between artistic\, curatorial\, and theoretical practices\, and develops questions about how violence is made visible or invisible\, how it is framed\, aestheticized\, normalized\, or suppressed. Through its texts\, the book insists on the thesis that the neutrality of the image is never merely a style of representation\, but is often a technique of power: an arrangement of distance\, attention\, and responsibility. \nThe panel discussion continues the logic of the publication itself as a “space of encounter\,” extending its questions through dialogue and exchange\, rather than treating the book or the exhibition as a closed entity. The discussion will address the relationship between image and institution\, aesthetics and ethics\, as well as the role of exhibitionary and discursive frameworks in shaping the ways we look at\, understand\, and (fail to) respond to violence. \nProject partners:MMSU Rijeka\, Center for Advanced Studies of the University of Rijeka\, KASK & Conservatorium / HOGENT Arts Research Fund
URL:https://cas.uniri.hr/event/panel-diskusija-postoji-li-neutralnost-slike/
LOCATION:MMSU Rijeka
CATEGORIES:EXHIBITIONS
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