Natasha Jankovic

Spring – Autumn 2019 CAS SEE Fellowship Recipients

The Center for Advanced Studies – South East Europe (CAS SEE) is pleased to announce the recipients of the Spring – Autumn 2019 CAS SEE Fellowship Awards at the University of Rijeka. The purpose of the CAS SEE Fellowship Programme is to further the research and creative work in the fields of the humanities and humanistic social sciences in the Balkans. Fellows will present their work within the CAS-Collegium, creating an intellectually heterogeneous atmosphere and fostering a productive self-examination or even friction, which may lead to new and unexpected ideas and innovation.

Please join us in congratulating the following CAS SEE Fellowship Awards, University of Rijeka recipients:

Bojan Baca (York University, Canada)

Project – title: “Digitalization of the Marketplace of (Reactionary) Ideas: The Alt-Right as a Political Ideology, Social Movement, and Counter-Culture”

Monica Cano Abadia (University of Zaragoza, Spain)

Project – title: “New Materialist Cartographies of Patterns of Exclusion in Digital Environments”

Guglielmo Feis (University of Milan, Italy)

Project – title: “Channeling Social Justice through the Blockchain? A Critical Review of the Potentiality of Distributed Ledger Technology (DTL) in Reducing Financial Inequalities and Improve the Access to Financial Information”

Ivan Flis (Utrecht University, Netherlands)

Project – title: “Open Science as a Movement of Digital Disruption”

Greta Favara (University of Milan, Italy)

Project – title: “Normative Political Theory and the Public Role of the Theorist”

Natasha Jankovic (University of Belgrade, Serbia)

Project – title:Rijeka: an experimental field of concrete utopia”

Nilay Kilinc (University of Surrey, UK)

Project – title: “Highly-Skilled Turkish Migrants’ Search for Alternative Diaspora Spaces in Europe: How They Build (Digital) Social Networks Beyond the ‘Culture of Rejection’”

Dragana Kovačević Bielicki (University of Oslo, Norway)

Project – title: “Mapping the anti-migrant protests in Serbia, Croatia and Bosnia and Herzegovina through their online media coverage (2015-present)”

Massimo Leone (University of Fribourg, Switzerland)

Project – title: “Democracy and Trolling in Internet Threads (DETROIT)”

Andrey Menshikov (Ural State University, Russia)

Project – title: “Unequal Distribution of Religious Freedom in the Discourse on Human Rights”

Valentina Moro (University of Padova, Italy)

Project – title: “Deconstructing Languages of Rejection: a Political Theory Analysis of Feminist Discourses and Methodologies”

Sabino Paparella (University of Bari, Italy)

Project – title: “Political Disintermediation in the Digital Era”

Roberto Roccu (LSE, London, UK)

Project – title: “Comparative Political Economies of Lost Hope: Subaltern Trajectories of Inequality, Transformation and Rejection from the Arab Uprisings to Crisis Europe”

Oszkar Roginer (University of Graz, Austria)

Project – title: “Cultures of Rejections – (self)perception of minorities and knowledge production”

Francesca Rolandi (University of Milan, Italy)

Project – title: “Doš’o sam u grad iz pasivnog kraja. Internal Migration, Settlement Dynamics and Social Practices in post-World War II Rijeka”

Snezana Vesnic (University of Belgrade, Serbia)

Project – title: “Positive European Futures: Creating New Concepts for the Transformation and Redefinition of Digital European Values Case study: Rijeka Between Analog and Digital”


 

Natasha Jankovic

#rijeka_terristories: New Media Atlas of Architecture or Profile of One City

#rijeka_terristories is a hashtag used by Nataša Janković within her newly formed Instagram webpage Rijeka terristories https://www.instagram.com/rijeka_terristories/. This webpage was launched as part of a research project  – Re/I:translating terRI[s]tories: architectural stories about Rijeka’s territory http://cas.uniri.hr/cas-fellowship-programme/current-fellows/ with the purpose of a methodological examination of new media forms for presentation and dissemination of results derived from the architectural research. Rijeka terristories Instagram webpage refers to re:reading and re:translating some of the terRI(s)tories (architectural stories about Rijeka’s territory) with the aim of transcription / documenting the only constant thing about cities – their transformation (you can read (in Croatian) more about project development here: https://vizkultura.hr/mapiranje-arhitektonskih-prica/). For this reason, this webpage may be considered as a specific new media atlas of architecture – i.e. portrait, or profile of one city, that was created through methodological exploring through printed and new media forms of representation and dissemination of research results. The main contribution of this project is the potential use of its results for the purpose of education about or promotion of Rijeka city.

The material presented within rijeka_terristories Instagram page follows 20 thematic maps (developed within the research: Architectural terRI(s)tories: mapping the process of city territory transformation) grouped in relation to the dominant factor of space production): socialscape (landscape of society), powerscape (landscape of power), visionscape (landscape of visions), memoryscape (landscape of memory places), alterscape (landscope of the spatial alternatives), as well as spaces of porosity (empty spaces within the urban landscape). These thematic maps emphasize the urban transformation of the 20th century Rijeka through the presentation of prominent architectural and urban spaces important for the socio-ideological, political, economic, infrastructural and cultural space production of Rijeka

(http://cas.uniri.hr/natasha-jankovic/). Here (https://www.instagram.com/rijeka_terristories/) you can find maps, objects and itineraries in Rijeka that you can be interested in, so brows, follow, repost or like it, or just take a look at #rijeka_terristories before Nataša take us to a journey through this new media architectural atlas, i.e. profile of a Rijeka city! 


Nataša Janković, PhD, architect, currently in the position of research fellow and teaching associate of the University of Belgrade – Faculty of Architecture and postdoc research fellow of the University of Rijeka – CAS SEE. She is active in different fields of architecture – research: publishes in journals, books and conference proceedings and also actively organizes conferences and workshops; design: participates in exhibitions and architectural and urban competitions, but also do some graphic design; practice: together with two colleagues (M&M) run an architectural studio N2M (based in Belgrade) that deals with architectural design and construction; but she also tries to interconnect all of this with the architectural education: actively engaged within the educational process of the Faculty of Architecture in Belgrade, but often acts as a guest critic within different institutions both national and international. So far, her particular research interests is given to the topic of the relationship between architecture and territory, architecture and nature, as well as city territory transformation and its mapping.
She seeks to read some of the terri(s)tories (architectural inscriptions within the territory); but she also wishes to mark the territory: by making an architectural gesture in a natural environment, in order to write some new terri(S)tory.

The seminar was held at the University of Rijeka on January 28th, 2019.

RULES WITHOUT WORDS

An Interdisciplinary Seminar on Non-Verbal Normativity

Date and Venue: February 8, 2018 at Društvo arhitekata Rijeka (DAR)

Organization: CAS SEE & DAR

Non-verbal normativity surrounds us. In design and architecture practices, the visual communication and the built environment transmit rules and shape behaviour in a variety of, arguably, understudied ways. Signalization, political and lifestyle propaganda in various media, nudging images, technical drawings of city plans, ideologies articulated through architectural choices and propagated through artistic practices – are among the most prolific bearers of norms in the society.

This seminar gathers a number of Autumn 2017 CAS SEE Fellows investigating the non-verbal normativities in a variety of approaches and disciplines and the practitioners of design and architecture to open the discussion about the nature, relevance and effects of the “rules without words” in the contemporary normative landscape, where climate change is reframing the discussions on globalization, the illiberal governments are slowly and persistently changing the fundamentals of the discourse on governance and freedom, and the vast digital realm floods the international social life with innovations in social coordination as well as informational and affective strategies of uncontrollable quality and intent.


◌ PROGRAM ◌

17.00 | Olimpia Giuliana Loddo and Davide Pisu: The Architect’s Normative Drawings

17.30 | Carlo Burelli: Art, Power and Propaganda: Lessons from the Roman Empire

17.50 | Mónica Cano Abadía: The Non-Verbal Normativity of Gender Performativity

18.10 | Discussion

18.40 | Davide Pala: A Moral Framework for Assessing Hostile Architecture

19.00 | Milorad Kapetanović: Regulation of Informal Construction in Rijeka in the Anticipation of European Capital of Culture Rijeka

19.20 | Nataša Janković: Architectural terRI[s]tories: Mapping the Process of City Transformation.

19.40 | Gerrit Wegener: Johnnie meets Jackie in Rijeka. In between the lines of Normativity and Individuality

20.00 | Discussion

Natasha Jankovic

Architectural terRI(s)tories[1]:
mapping the process of city transformation

[1] Architectural stories about Rijeka’s territory

“Architecture represents one of the possible ways of how territory can be marked, but it is also a permanent trace of the process of its development. As a built form it is a sign in the ground, while as an idea it represents a trace of various approaches to its development within theoretical field. This research examines the significance and meaning of a single architectural gesture within the context of architectural narrative of the city territory by starting from the structural approach to observation of the territory and the method of post-structuralist analysis.
This research links and analyses: 1) the importance of the architectural gesture in the process of defining and developing the territory of the city, through 2) changing position from the phenomenological (formal, formative) to critical discourse of observing architecture, which examines 3) the potential of the interpretative narrative both of the architecture and the territory. With approach based on semantics and metaphors, the aim of the research of the territory and architecture as an element of its structure, is to ‘read’ some of the layers of the city (terRI[s]tories), which is considered as a cultural palimpsest, through processes and material layers of its changes and development.
This theoretical background and methodological apparatus was used in order do re-write 20.20 stoRIes of Rijeka (20 terRI(s)tories – Architectural stories about Rijeka’s territory from 20th century). More precise 20 terRI(s)tories as spatial sequencesfrom the period between 1920th (the year of Rijeka’s autonomy) and 2020th (the year when Rijeka will be European Capital of Culture) thematically grouped into different chapters were mapped with the aim of presenting some of the scapes – scenery views:  socialscapepowerscapevisionscapealterscapememoryscape and spaces of porosity (within differentscapes) of the Rijeka’s territory transformation. Reading of the terRI(s)tories should examine the potential of spatial narrativity within specific spatio-temporal context for a re-wRIting of a new stoRIes with(out) words or (new) objects by using of existingspatial sequences for future conceptions and actions.”

Natasha Jankovic is an architect, working in the filed of research, practice and education, currently in the position of research and teaching associate of the University of Belgrade – Faculty of Architecture,  where she obtained her PhD. So far, her particular research interests is given to the topic of the relationship between architecture and territory, architecture and nature, as well as city territory transformation. Publishes professional and scientific papers in national and international journals, books and conference proceedings. Participates in national and international exhibitions and architectural and urban competitions. Living in urban environments, she seeks to read some of the terri(s)tories (architectural inscriptions within the territory, written through architecture as a code of city structure) that serves as a document about the past processes of development; but she also wishes to mark the territory: by making an architectural gesture in a natural environment, in order to write some new terri(S)tory.

AUTUMN 2017 CAS SEE FELLOWSHIP RECIPIENTS

The Center for Advanced Studies – Southeast Europe (CAS SEE) is pleased to announce the recipients of the Autumn 2017 CAS SEE Fellowship Awards at the University of Rijeka. The purpose of the CAS SEE Fellowship Programme is to further the research and creative work in the fields of the humanities and humanistic social sciences in the Balkans. Fellows will present their work within the CAS Collegium, creating an intellectually heterogeneous atmosphere and fostering a productive self-examination or even friction, which may lead to new and unexpected ideas and innovation.

Please join us in congratulating the following Autumn 2017 CAS SEE Fellowship Awards, University of Rijeka recipients:

Mónica Cano Abadía (Zaragoza, Spain) The Re-Radicalization of Critical Thinking: Toward a Global Social Justice.

Gerrit Wegener (Berlin, Germany) Continuous architecture. The most living act of memory.

Olimpia Giuliana Loddo (Cagliari, Italy) Investigation on the Ontology of Normative Pictures.

Nataša Janković (Belgrade, Serbia) Architectural terRI[s]tories: Mapping the process of city transformation.

Davide Pala (Torino, Italy) World Poverty, Radical Inequalities and Neo-Republicanism.

Carlo Burelli (Milano, Italy) A Theory of Order.